If you have a fast and expensive lens, it may feel like a waste to shoot portraits stopped down to f/8, f/11, or f/16. But in this 20-minute video, photographer Miguel Quiles explains why he often opts to shoot stopped down instead of wide open for increased depth of field and finer details and textures. […]
If you have a fast and expensive lens, it may feel like a waste to shoot portraits stopped down to f/8, f/11, or f/16. But in this 20-minute video, photographer Miguel Quiles explains why he often opts to shoot stopped down instead of wide open for increased depth of field and finer details and textures. […]
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